As artefacts maker, OB proposes a work that is as much plastic as it is experiential or theoretical on the relations between psycho-sensitive and art. 

The body, the object, the piece of art, all seem to be mediums of their own consistency, of their own essence, at the same time in a singular physionomic thrust, but also in a construction by reception and diffusion, becoming vectors of beyond. This question of beyond is preponderant in his work and manifests itself in a sensitive, material, visual, psychological or spiritual way, through a mobilisation of imagination and its phantasmagorias. It is a question of modulating states of consciousness ; inquiring the conscious gleams of the unconscious, transcending visions and appearances ; becoming psychonaut, traveling between the channels of the mind, the body and the sensitive ; impregnating them, their existence, their perception, and their expression. Such as an intuitive and psycho-(re)active formula, becoming vector of essence, vector of other worlds, other realities, emissary of beyond. Into an enterprise of the concrete, to link various entities, towards the creation of artefacts, medium objects. 

Through bone engraving, assembly, painting, photography, writing, video, and performance, OB works to invest, undertake and redefine the body of the medium, in a transcendence of encounters and visual/tactile expressions, even sonorous, analog and digital, in agreement with experiences and psycho-sensitive contributions of the living being and its environment. A game operates with the perceptions (but also the cultural, social, intellectual, spiritual and mystical legacies and influences) into an exchange and a constant dialogue, which are tinting the production, the presentation, even the staging of it.