Artist and Phd student
Artist and Phd student in the research team Art&Flux at the university Paris 1 Panthéon- Sorbonne, Alexia has participated to several personal and collective exhibitions in different places between Paris and New York. Her reflections are about information carriers and data conservation. She mixes ancient techniques and new technologies approaching science and fiction. Her work is looking as well at the data loss, the identity loss and the artefacts conservation as fragment to replenish it.
Gratuated from the visual art school of Angoulême and being a student in a master of Art and International Creation at Paris 1 Panthéon-Sorbonne after have studied at the New York University, she began her international carrier in 2015 with exhibitions and artist residencies at New York, Budapest, Paris or Sydney. She has also participated on several publications and self-editions, and has gathered the collective COSMIC in 2016. She is inspired by her recurring travels to feed her researches and visions.
Magali works on the connexion between the altered states of consciousness and the acte of creation in the willing to reach the intersubjective ecstasy in a global worldview. She is wondering on hallucinations as artistic mechanism into chemical imaginary, on revolution and dissenting minds regarding a denial against the establish order, and on the shamanic transcendance which are adjacent to this phenomenon. She uses psychedelic experiences and the conflicting relationship between new technologies and the Nature as support for creation to reach herself and the viewer to an ecstasy state; the absolute, the dissolute, the timeless, the one human is looking for unconscioulsy all along his life.
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As artefacts maker, OB proposes a work that is as much plastic as it is experiential or theoretical on the relations between psycho-sensitive and art.
The body, the object, the piece of art, all seem to be mediums of their own consistency, of their own essence, at the same time in a singular physionomic thrust, but also in a construction by reception and diffusion, becoming vectors of beyond. This question of beyond is preponderant in his work and manifests itself in a sensitive, material, visual, psychological or spiritual way, through a mobilisation of imagination and its phantasmagorias. It is a question of modulating states of consciousness ; inquiring the conscious gleams of the unconscious, transcending visions and appearances ; becoming psychonaut, traveling between the channels of the mind, the body and the sensitive ; impregnating them, their existence, their perception, and their expression. Such as an intuitive and psycho-(re)active formula, becoming vector of essence, vector of other worlds, other realities, emissary of beyond. Into an enterprise of the concrete, to link various entities, towards the creation of artefacts, medium objects.
Through bone engraving, assembly, painting, photography, writing, video, and performance, OB works to invest, undertake and redefine the body of the medium, in a transcendence of encounters and visual/tactile expressions, even sonorous, analog and digital, in agreement with experiences and psycho-sensitive contributions of the living being and its environment. A game operates with the perceptions (but also the cultural, social, intellectual, spiritual and mystical legacies and influences) into an exchange and a constant dialogue, which are tinting the production, the presentation, even the staging of it.
After a year studying at NYU, New York City, Margaux Taleux is currently doing her master of Art and International Creation at La Sorbonne, Paris. She also has a BA in graphic design and art therapy; her artistic practice is about creating transitional spaces and heterotopias, tempting to generate spaces in-between, vectors of the future. Using mainly drawing, photography and text, her interest gravitates around the cosmogonical of Universe. Adopting an artist and editor post, the object book is considered as space of meeting between individuals and affects, allowing the development of a curatorial practice. She has participated to several collective exhibitions at New York City and Paris, edited several books and bilingual magazines and organized workshops of art therapy. She is the co-founder of the group ARPY and of the group Mad Gleam Press.